Archive for the ‘Essays’ Category
Sunday, July 18th, 2010
“Often when I read examples of what purport to be lyric essays, I …find them resembling a certain kind of experimental poetry that has proliferated for at least forty years…There tends to be a reliance on structural, conceptual devices, such as lists or repeating word-phrases, a welcoming of stream-of-conscious, surrealist disjunctive leaps from line to line, and a suppression of mounting argument, replaced by circularity or trance… “
—Phillip Lopate
Tags: Essayists, Essays
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Monday, July 5th, 2010
Lyric Essay
Words that go with the lyric essay include fragments, collage, mosaic, white space, juxtaposition, braided narratives, heightened attention to language.
Deborah Tall and John D’Agata:
The lyric essay doesn’t expound, is suggestive rather than exhaustive, depends on gaps, may merely mention. It might move by association, leaping from one path of thought to another by way of imagery or connotation, advancing by juxtaposition or sidewinding poetic logic. It often accretes by fragments, taking shape mosaically, its import visible only when one stands back and sees it whole.
Tags: Essayists, Essays
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Saturday, June 26th, 2010
A lovely and unexpected commendation from Nathalie Foy at Books on Books. (Unexpected because it occurs in the midst of her review of Sylvia Beach’s Shakespeare and Company.)
“One of my favourite books of the past year is Susan Olding’s Pathologies: A Life in Essays. She takes the personal essay to new places, puts it to interesting uses, gives it a fresh shape. It is Olding’s form that is so often the reward of reading her essays. They are fresh and startling and often biting. I like that.”
Thank you, Nathalie. And thank you also for the inspired decision to focus on books about books in your blog.
Tags: Blogs, Praise
Posted in Blogs, Essays, Memoir, Women and Writing | No Comments »
Tuesday, June 15th, 2010
Samuel Johnson by Joshua Reynolds
“A loose sally of the mind. An irregular, undigested piece.” (Samuel Johnson, himself an essayist.)
Known for its perambulating, meandering, (seemingly) artless construction.
Tags: Essayists, Essays, Samuel Johnson
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Tuesday, May 25th, 2010
How beautiful a London street is then, with its islands of light, and its long groves of darkness, and on one side of it perhaps some tree-sprinkled, grass-grown space where night is folding herself to sleep naturally, and, as one passes the iron railing, one hears those little cracklings and stirrings of leaf and twig which seem to suppose the silence of fields all round them, an owl hooting, and far away the rattle of a train in the valley. But this is London, we are reminded; high among the bare trees are hung oblong frames of reddish yellow light—windows; there are points of brilliance burning steadily like low stars—lamps; this empty ground, which holds the country in it and its peace, is only a London square, set about by offices and houses where at this hour fierce lights burn over maps, over documents, over desks where clerks sit turning with wetted forefinger the files of endless correspondences; or more suffusedly the firelight wavers and the lamplight falls upon the privacy of some drawing-room, its easy chairs, its papers, its china, its inlaid table, and the figure of a woman, accurately measuring out the precise number of spoons of tea which—She looks at the door as if she heard a ring downstairs and somebody asking, is she in?
—from “Street Haunting”
Tags: Memorable Lines, Women and Writing
Posted in Essayists, Essays, Memorable Lines, Women and Writing | 1 Comment »
