Proved on the Pulses: On the Essay and its Literary Cousins

Archive for the ‘Blogs’ Category

Nathalie Foy’s Books on Books

Saturday, June 26th, 2010

A lovely and unexpected commendation from Nathalie Foy at Books on Books. (Unexpected because it occurs in the midst of her review of Sylvia Beach’s Shakespeare and Company.)

“One of my favourite books of the past year is Susan Olding’s Pathologies: A Life in Essays.  She takes the personal essay to new places, puts it to interesting uses, gives it a fresh shape.  It is Olding’s form that is so often the reward of reading her essays.  They are fresh and startling and often biting.  I like that.”

Thank you, Nathalie. And thank you also for the inspired decision to focus on books about books in your blog.

What Makes an Essay Personal?

Thursday, April 22nd, 2010

See The New Quarterly editor Kim Jernigan’s smart and articulate take on this, here.

“First, what a personal essay is not: it’s not journalism. It can be about anything (religion, politics, natural history, art, music, literature, science, food, travel, play, you name it, and the tone can be equally disparate), but it is not written on assignment. It comes instead from the writer’s own fund of interests and obsessions, questions to be raised or answered, observations, fantasies, regrets, uncertainties, delight. It evolves from a desire to know or to understand, to make connections. It is often triggered by some sort of experience in the world. It will sometimes lead to research, always to reflection. Above all, it is engaged.”

Note that there’s still time to enter TNQ’s Edna Staebler Contest for the personal essay. Details here.

Review of Calm Things

Monday, December 14th, 2009

Here is my review of Shawna Lemay’s Calm Things, originally posted at Prairie Fire.

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Last week I attended a talk by Merilyn Simonds at my local library. As soon as she had finished speaking, Merilyn came over to me, smiling like a person who wants to share a delicious secret. “I’m reading the most wonderful book,” she said. “You’ve got to get a copy. It’s called Calm Things. The author is Shawna Lemay.”

I knew Shawna Lemay’s poetry – she has published five books – and I had visited her blog. Even if it had held no other interest I’d have loved for that blog for its name alone Capacious Hold-All – a phrase of Virigina Woolf’s; applied to a blog it suggested an author with a sense of humour in addition to a well-stocked mind. Calm Things is Lemay’s first book of essays.

In part a consideration of the mysterious life of objects, in part a meditation on the art of still life, in part a love song to her husband, visual artist Robert Lemay, and in part a reflection on the craft of poetry, this is a book in the tradition of Rilke’s Letters on Cezanne. A writer looks deeply at paintings, and in the exercise of her deep attention, she learns and teaches as much about the art of writing as she does about the art of painting. It is a book about one art form that guides a reader towards a deeper understanding of all art forms. It is a book that both embodies and instructs us on the need for, and place of, loving attention and receptivity in our over-crowded, jangling lives.

Structurally, each paragraph works like a painting. You could, if you wanted, read each one in isolation, like a lyric poem. In some, quotations by various authors are yoked together with Lemay’s observations in what may seem to be a “natural” arrangement but on second thought appears to be an odd or arbitrary grouping. As a reader, you are forced to look again, to look beneath the surface of the prose. What is going on here? The writing, clear and luminous as it is, slows you down. It stops time. Just like a still life.

The space between paragraphs similarly functions to slow a reader to the pace of contemplation. It works the way the space between stanzas in a poem works, or the space between paintings in a gallery. It gives breathing room, invites a pause, encourages reflection and thought. Each essay stands on its own in the same way. You can dwell within it.

Yet, although Lemay says she is content to stand “outside narrative,” a narrative of sorts does undergird the essays. In the first, we accompany Shawna as she looks at Rob’s paintings for the first time, and we see the Lemays on their Italian honeymoon; by the end, the two have married, set up house and garden in a suburb of Edmonton, worked side-by-side and together for years, become parents; they have endured domestic worries and enjoyed domestic bliss. As readers, we get all this in glimpses, in between our moments of contemplation. Like the bee that “falls in love” with Rob’s painted lilacs during an exhibition of his work, we come nose to nose with an image of the real but aren’t allowed to drown in it, for too much self-revelation would take us away from the deep subject of the book. There is just enough personal history here to allow us to trust our narrator. More than that, we don’t need.

If you have ever been caught by the mystery of ordinary objects – their capacity to live on, even after we have died, their strange autonomy, their “thingness” as Heidegger would inelegantly have put it; if you have ever been curious about how a pair of artists can build a life together; if, as an artist, if you’ve ever longed for a quiet, intimate reflection of day-to-day life and work as you know it and live it, Calm Things will speak quietly, deeply, and insistently to you.

Thanks are due not only to Shawna, but also to Dawn Kresen of Palimpsest Press, for having the courage to publish such a still and meditative book.

After you have read Calm Things, check out Shawna’s second blog, also called Calm Things. There, she is able to display some of the images that are absent from the book itself and comment on more paintings that have moved her.

Interview at Kathy Diane Leveille’s Website

Thursday, August 20th, 2009

I met Kathy Diane Leveille in 1996 at the Maritime Writers’ Workshop and we’ve kept in touch ever since. Kathy’s the author of an exciting new suspense novel, Let the Shadows Fall Behind You, and a short story collection, Roads Unravelling. She interviews me today on her blog. You may need to scroll down.

Best Canadian Essays - Call for Submissions

Friday, June 19th, 2009

From Tightrope Books: “Alex Boyd and Carmine Starnino are editing the first Best Canadian Essays, set for publication this fall with Tightrope Books. Along with print magazines, they’re interested to consider essays and articles posted online. If you’re a Canadian writer with an essay posted to a site in 2008, it’s possible to submit the piece by sending the link, a brief bio, word count and month the work was posted in 2008 to bestcanessay (singular) @ gmail.com — please put the essay topic in the subject line. They’re looking for more than just literary work here and considering all kinds of material.”